domingo, 30 de novembro de 2014

METANGIBLE LANDSCAPES

    I haven’t seen the old giant oak since the end of August. It was radiantly covered with green leaves and many nuts were beginning to grow. I don’t need to see him to know how it is now. It is almost completely naked, some branches were broken by the harsh wind and the pouring rains. The whistling of the wind sounds very different now when it passes through the nude branches. In the sunny days the drops of water will shine on the thinner branches and fall in slow motion over the new soft grass. Mushrooms are probably growing under and around him… if the dogs didn´t eat them yet or the neighbor didn´t smash them when he passes through our yard to his vineyard on the other side. I bet some frogs made their home again among the pruned grapevine branches that are still on the flat low rock by his side. Last Christmas I grabbed, without noticing, a frog… it was night and I was gathering some firewood… I only noticed when he jumped from my hand. It was a big one… and I didn’t scream as I would have done when I was ten… He just didn’t want to be grabbed and he went away peacefully… None of those stories of ejecting poisonous saliva… I didn’t feel any allergy… Either he was really a friendly frog or all those stories are only superstition… After all, this isn’t Amazonia where the poisonous saliva of some frogs is really used by the shamans as a medicine…
     All the times and seasons join under that old oak. It´s easy to see us there in Summer when we were ten… And when we were twenty, and even thirty and forty… then you went away. But you’re still there… You are ten, twenty, thirty, forty under the old oak. Near the “sand mountain” (a mound of sand with only 1,5 m) there was a big barrel turned into a secret refuge. It was old, empty and smelled terribly like wine. It was impossible to remain inside for more than ten minutes, even with the “door” opened or we would get dizzy. So the old barrel became a secret refuge mainly inside our minds. Laying under the old oak we would look to our secret refuge and imagine it was plenty of different things… A flying house travelling upon the clouds, a boat navigating in a blue sea, a door to enter into many worlds… or just one less barrel that you wouldn’t have to clean before receiving the new wine. That was a bad time for you. You were small enough to enter by those narrow “doors” and inside it was black, slimy, sticky and that unbearable strong smell… I was lucky, I was a girl, so father never obliged me to do that task.
     Looking above through the branches of the old oak, we would see the barrel-house, the barrel-boat, the doors to everywhere and other endless visions. And without a single step or even without “flying” in the swing father arranged on the stronger branch, without jumping to the sand mountain or running around with arms opened to catch the wind, there we’d go just the same, free birds without frontiers in our minds. What great voyagers we were! And we still are, each one in our own way… We see and create “metangible landscapes” everywhere…
     Sometimes I wonder if everything would have been the same if the old oak wasn’t there. He was really essential and still is. It was there much before us… now is probably around 150 years old… and it will be there. The plants and creatures around will come and go but he will be there. I just hope there’s someone to take care of him… Or perhaps it’s always him that takes care, silently, without demanding special attention or reward… Oh, but we always paid lots of attention to him and our reward was simply sharing our dreams with him. He knows them all even those that I had completely forgotten. I lean my head against his trunk and hear his voice inside… it’s the voice of our souls. This is really a special old oak… in his veins run rivers of dreams constantly flowing to an endless sea. That’s why I find him always by the sea… though he never took a step out of that mountain spot. He wants to keep closer to your beloved stars. Well, I see stars raining from his branches when I find him by the sea… He’s a great traveler too… I bet you find him often among the stars…


 Rainbow tides I, photography by São Ludovino

 Dunes I, photography by São Ludovino.

 Dunes II, photography by São Ludovino.

 Dunes III, photography by São Ludovino.

 Alethea I, painting by São Ludovino.

 Alethea II, painting by São Ludovino.

Hand in hand I, photography by São Ludovino.

Hand in hand II, photography by São Ludovino.


 Between black and white I, photography by São Ludovino.

 Between day and night, photography by São Ludovino.

Borealis nightfall III, photography by São Ludovino.

Borealis nightfall IV, photography by São Ludovino.

 Colours in the wind I, photography by São Ludovino.

Journey with the sun I, photography by São Ludovino.

Steps through the infinite I, photography by São Ludovino.

Metangible landscape I, photography by São Ludovino.

Metangible landscape II, photography by São Ludovino.

 Rainbow tides II, photography by São Ludovino.

Rainbow tides IV, photography by São Ludovino.

The beginning of a new story I, photography by São Ludovino.

 The long hair of a cloud, photography by São Ludovino.

 Olaf Summer Mountain, photography by São Ludovino.

Warm embraces, photography by São Ludovino.

 Sleeping with the rainbow, painting by São Ludovino.

 Metangible landscape - I won't let you fall III, photography & drawing by São Ludovino.

Metangible landscape - Aerial Spirit, photography & drawing by São Ludovino.

Metangible landscape IV, photography & drawing by São Ludovino.

 Metangible landscape III, photography & drawing by São Ludovino.

Ages, Faces and Travels of Moonsun - Moon Ages, drawing by São Ludovino.

White paper, drawing by São Ludovino.

 Unfading paper candles, drawing by São Ludovino.

Unfading rainbow light, drawing by São Ludovino.


quinta-feira, 30 de outubro de 2014

WATER IN MOTION

     She keeps moving, always moving in so many ways… the water, the water of life. Even when it seems completely static, is moving, assuming new shapes, dimensions and colors, purposes, ways of being water. 
     The Ancient Greeks identified the flowing waters of a river with the flowing of time and life. River Lethe (Letes), one of the rivers of Hades, was the river of oblivion; its flowing was the image of the irreversible passage of time and crossing it to the other side was the symbolic representation of the passage from life to death. It was necessary to cross the river of time, the one that fabricates memories and oblivion, to depart from life… probably as immaculate and pure as a newborn, without wishes for the future and no memories of the past. The crossing itself consisted mainly in drinking water from Lethe to forget all the life behind… So, dying is forgetting… and when you forget you die… I prefer a myth where dying is remembering, everything, without blanks, or cuts or missing pieces… I prefer a myth where water is life, truth and memory… even if you die drinking, walking along, over or across…
     Now let’s complete the open myth and add a few meta-facts and meta-symbols. The myth talks about rivers, water flowing in a single and irreversible direction… not about water itself. That could only be a sad story of endless loss, the kind of experience synthesized in aphorisms like «You can’t bath twice in the same water» or «In the same river we get and do not get in, we are and we are not» (Heraclitus of Ephesus, c. 535 BC – 475 BC) 
     From the peaceful banks of Alethea, I watch Lethe. I watch, I sail, I cross but I don’t drink. I only drink from the pure and inexhaustible sources of Alethea. Truth and reality are dancing by the pure water. They once lived by the Lethe. They drank its water and crossed its waters and followed its course in search of an endless, beautiful sea… But the days, the years, the centuries and millennia passed and they did not get to the mouth of that endless river. There was no end and there was no ocean. It was a long way back, but they came back to the fields of their beginning, the only place where they really belonged together, truth and reality. No oblivion here, only revelation, sun after sun, moon after moon…
       The trees and the grass were still there, deeply rooted on the ground, new roots in the same eternal ground. Each new Spring new birds came, generation after generation, to live in the same eternal nest. Drop after drop, the dew of the stars joined the breathing of all the living creatures, before travelling to the same eternal clouds… and rain, rain copiously in the morning cups of all human beings. Some used to drink each cup each morning as if it was the first and last, cup and morning… all along their lives, the first and the last each day. Other forgot many times to drink their morning cup of new life. And some others never drank their cup at all.
     In the banks of Alethea, I’m happy for revisiting the primordial light and life in all the new things around, unbreakable links with the distance, the unknown, the infinity of our souls. I recognize each leaf of each tree, though they are others and new. I recognize each blood vein of each leaf, though there’s now much more millions of leaves than there were then. I recognize each drop of rain and each sunbeam, dancing crystals falling softly in the abyss of the sea, the sky and Mother Earth heart. I recognize the same eternal sparkle in the old eyes of the new bird…   
       After many thousands of days and nights living on the borders of Lethe, away from Alethea, it’s good to be back. Since I recognize everything, nothing is lost. Here I really can drink twice, endless times, from the same perpetually new water, for the water is only one and the same. I can enter into and get out exactly from the same drop of water and fall in the abyss while I fly across the most deep blue sky. I can drink, breathe, bath in the new primordial light of each day, for the light is only one and the same. Here I am completely true and real, here I am and am not at the same time… Be and be not! What a perfect way of being…  

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Note 1: Alethea is one of the rivers of Hades in Greek mythology. Etymologically the word means “truth”, “supreme truth”, “reality”.

Note 2: The photographs below were taken at Hotel Arribas, Praia Grande, Sintra, Portugal in three different days of the beginning of September; one was very sunny, other was quite cloudy and in the other one the changed several times from cloudy to sunny and vice versa. That’s why the light is very different. In two of the days the sea was very rough and the waves beating against the hotel pool walls were gigantic.  


Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino. 

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino. 

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Praia Grande, Sintra, Portugal, photography by São Ludovino.

Praia Grande, Sintra, Portugal, photography by São Ludovino. 

Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Praia Grande, Sintra, Portugal, photography by São Ludovino.

Praia Grande, Sintra, Portugal, photography by São Ludovino. 

Praia Grande, Sintra, Portugal, photography by São Ludovino.

Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Praia Grande, Sintra, Portugal, photography by São Ludovino. 

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino. 

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino. 

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino. 

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino. 

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

 Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.

Hotel Arribas, Praia Grande, Sintra, Portugal, photography by São Ludovino.